That is just a front view of the current scene in the camera. Hello! Orthographic projection has no perspective. Questions and suggestions regarding this tutorial please leave in comments below. Have a beautiful and precise ortho-renderings! :)
We hope that this lesson has helped to answer the frequently asked question about how to do render without perspective distortion in the V-Ray. Pick the one that is comfortable and easier. The desired result can be achieved in both ways. Whether to use VRayPhysicalCamera with intense settings or an present feature of a standard 3ds Max camera is rather a matter of taste than of a principle correctness. Simply set the checkbox near Orthographic Projection and the camera will be orthogonal without any even minimal perspective distortion. It is located in the camera settings Parameters rollout. The Orthographic Projection option is responsible for the reconfiguration of the standard camera from perspective into orthogonal. You can learn how to do it from the switching from VRayPhysicalCamera to Standard 3ds Max Target Camera hint. If your scene is initially configured for visualization with VRayPhysicalCamera, you can simply change it to standard 3ds Max camera using a few basic operations. It is visible strictly on the side only and has no perspective distortion. In the first case the both left and right red handles are clearly distinguishable, which go into perspective and distort, while in the second case even the left hand is virtually invisible. This is especially evident at the handlebar. At the first visualization it looks pretty standard, like any forward-looking photo, but at the second picture it looks more like a color drawing than a photo. To do this, just replace VRayPhysicalCamera with standard and activate the appropriate function in it. The real orthographic projection can be obtained using standard 3ds max camera.
In any case, it will be only the relative visual similarity with the orthogonal projection, while in fact not being it: Also you should move the camera back at a considerable distance for all objects to be completely in the shot.
Typically 3000-5000 mm would be enough to significantly minimize perspective distortion. To achieve results that are very close to the orthogonal projection, it is necessary to increase this parameter. The focal length setting is responsible for a VRayPhysicalCamera focal length. This makes a need to carry the camera to a considerable distance from the subject, so that the shot hit the same part of the scene, as in the shot with a smaller focal length. However, as in real photography, the changing of the focal length also changes the camera's zoom and angle of view. It is easy to guess that to get rid of perspective, you simply need to increase the focal length, simulating the telephoto lens and reducing the perspective distortions to a minimum.
It is these distortions that cameras and viewports of 3D software are mimic. And in contrast, less perspective distortion observed in telephoto lenses with long focal length. The strongest perspective distortions are in the wide-angle lenses with small focal length. Speaking in the aspect of traditional photography, perception of the perspective distortions of the human eye, for example, close to those in the so-called normal lens.
It is specific not only to any camera lenses, but to the human eye also. In fact, the perspective is a distortion of dimensions and shapes of objects in their visual observation. The answer to the question about orthographic projection with VRayPhysicalCamera is quite simple: with VRayPhysicalCamera you can't have a technically strict orthogonal view.